Exploring Society & Structure
Reproduction of Power in Society
Module 4
Pierre Bourdieu: The Forms of Capital
Bourdieu explores how inequality is maintained through social mechanisms, moving beyond simple "meritocracy."
Three Forms of Capital
Success is determined by the inheritance of different resources:
- Economic Capital: Money, property, and material resources.
- Social Capital: Networks, relationships, and group memberships ("who you know").
- Cultural Capital: Non-financial assets (tastes, education) that promote mobility.
- Embodied: Long-lasting dispositions (accent, posture, manners).
- Objectified: Cultural goods (books, instruments) requiring "embodied" capital to use.
- Institutionalized: Academic qualifications (degrees).
Cross-Cultural Comparison (Bourdieu)
- UK vs. USA: The British market is highly stratified (status-based), while the American market believes in "contest mobility" (anyone can make it). Social construction of competition varies by country.
Erving Goffman: Dramaturgy
Social life is a performance where individuals try to control the impressions they make.
The Dramaturgical Framework
- Front Stage: Where the performance is given; scripts are followed.
- Back Stage: Where the character is dropped and the actor relaxes.
- Impression Management: Defensive strategies (Loyalty, Discipline, Circumspection) to prevent "scenes" or disruptions.
- Tact: The audience's role in helping the performer "save face" by ignoring minor errors.
Social Construction of Reality (Berger & Luckmann)
Explains how human creations become felt as objective "facts."
| Phase | Process | Description |
|---|---|---|
| 1. Externalization | Habitualization | Patterns of action to save effort ("Here I go again"). |
| Reciprocal Typification | Establishing roles with others ("Here we go again"). | |
| 2. Objectification | Institutionalization | Pattern detaches and becomes an "objective" fact for new generations. |
| 3. Internalization | Socialization | Absorbing the objective world into subjective consciousness ("This is who I am"). |
Anthony Giddens: Structuration
Connects "Micro" (Agency) and "Macro" (Structure).
- Structure: External institutions (Laws, Norms). We are born into them, and they determine our options.
- Agency: Individual choices and actions.
- The Dialectic: Society is a co-evolution. Structures socialize us, but if individuals collectively act differently (dissent), they can change the structure.
Jean Baudrillard: Postmodernism and Simulacra
Critiques the shift from consuming utility to consuming Signs.
Modernism vs. Postmodernism
- Modernism: Search for objective truth and Grand Narratives (Marxism/Science).
- Postmodernism: Skepticism of Truth; reality is fragmented and simulated.
Key Concepts
- Consumer Society: Objects are "signs" of status/identity. Advertising sells an indicative social order (how to live), not just an imperative to buy.
- Simulacra: Representations that have no original in reality.
- Hyper-reality: A state where the simulation (e.g., Santa Claus) becomes more "real" or influential than reality itself.
- Example (The Nursery): We decorate a baby's nursery to simulate "good parenting." The baby can't see it; it is a sign for the parents, not a utility for the child.
Ultra-Quick Revision (Exam Essentials)
| Form of Capital | Feature |
|---|---|
| Economic | Money/Directly convertible. |
| Social | Networks/Group membership. |
| Cultural | Embodied (internalized) vs. Objectified (books) vs. Institutionalized (degrees). |
| Phase of Reality | Key Concept |
|---|---|
| Externalization | Habit and Typification. |
| Objectification | Institutions as "facts." |
| Internalization | Identity and Socialization. |
Must-Know Terms:
- Reciprocal Typification: Creating repeatable roles ("I do X, you do Y").
- Dramaturgical Discipline: Control over voice/body during a social performance.
- Simulacra: A copy without an original; a simulation that replaces reality.
- Meta-Narrative: A "big story" of progress that Postmodernists reject.